Chương 293: Moonlake City (VII)

I went out on a bit of a solo exploratory mission--it was at the crack of dawn, while the kids were still cultivating. I know it didn't matter, but I still tiptoed as though I were 17 again, trying to sneak out of the house to go cruising for a random party, hoping to be taken in like a random vagrant. It was rather chilly, but that had been sort of par for the course these past couple of months.

What surprised me was how biting the winds were--they hadn't quite reached the levels we experienced on the Eternal Range, of course, but I still had to heat up my clothes a bit using Art of Surviving. The kids, unlike me, had wholly integrated it by now into their fighting styles, developing it well beyond what I thought possible.

Xi Zhao, especially, leaned into the vibration aspect of it in addition to stifling the sounds of his attacks; one of his self-created 'arts', actually, had him swing a blade and then 'detonate' over a hundred small, vibrating strikes upon contact. Individually, they weren't particularly strong, but they were perfect for breaking down Qi barriers and special, enchanted armors.

Light was perhaps the most creative, as she managed to infuse the tendrils she used as almost a 'limb extension' with a variety of ideas contained within the Art; one tendril would release soft pellets of chill, creating moisture in the air before a burst of cold Qi would freeze it all in an instant. On the other side, a tendril would become a kindling, starting up a fire all around it.... it was humbling, more so than anything else, seeing what talent truly meant.

I mean, sure, there were the Heavenly Roots and the Physiques and the Bloodlines, as well as the system-graded innate talents, but they were all largely abstract to me. But seeing someone take something I created and warp it so intricately, in ways I could have never envisioned... yeah. Somewhere deep down, I always felt that, with a bit of patience and the system's help, one day, I might be on their level. That, at some distant point in the future, I'd be standing side by side with them, fighting the same fight.

But I have a feeling that's not really my purpose in this life. And I'm oddly at peace with it, all things considered. There's beauty in being the wind in their back, too, and the tender arms they can retreat to when the world becomes too much. I don't need to climb the summit to help others get there. Dispensing with awfully existential thoughts this early in the morning, I left the small shack and started rounding the streets.

At some point, dirt pavements turned cobblestone--they were rather slippery as there was a layer of dew over them, but also quite beautiful. Granite, too, lent itself to some fascinating buildings all around--with the mottled structure, there wasn't a sense of 'uniformity', as this tiny bit of chaos broke up the monotony of everything. One thing I loathed about most of the modern cities is how same-y they felt.

Sure, there were unique aspects to them, but by and large, if you've been to one, you've probably been to them all. Reading on this site? This novel is published elsewhere. Support the author by seeking out the original. Moonlake City was, truly, completely unlike Silvercrest City--not just because it wasn't levitating atop a flattened plateau, but the design of the buildings was entirely different.

They weren't so much pavilions as they were layered cubes, and the design felt rather reminiscent of some of the 'desert' cities back on Earth. There were still pavilions, of course, with layered terraces and beautiful, flowery eaves, but they weren't the dominant structure design. It felt that they were reserved for more 'special' places, while the ordinary dwellings and shops were standing shorter but 'wider'.

As the song of the early-morning roosters broke out and the chimneys began to spit out smoke, I saw the city come alive in front of my eyes--the street that I was in, which not ten minutes ago was akin to a ghost dwelling with nothing there, transformed into a stall-to-stall market, with an array of fruits, vegetables, and grains taking up one side, while less organic things took up the other.

Before long, sounds of the belting hammers against the metal began to join the cacophony of sounds--chatter of the people, roaring of the flames, echoes of people jumping in the lake, sizzling, sloshing... I must have looked rather dumb, as quite a few people looked at me oddly, but I didn't particularly care. It was beautiful, seeing the desolate nothing roar with life so quickly and so perfectly.

As I stopped in front of what looked like a bakery, I saw freshly made dough being tossed into a furnace of sorts, while a previous portion was pulled out.

"Mornin' young man," an elderly woman spoke up to me, her frame showing up behind a stall that came up to her neck, almost.

"Morning," I said.

"You look new. Haven't seen you around before."

"Ah, yes. I've come for the festival with my kids."

"First-timer, eh?"

"Ha ha, is it that obvious?"

"You've got that indispensable shine about you." Her accent was somewhat thick and particularly charming as she rolled her r's, making her speech sound quite melodic.

"Ho ho, I doubt anyone can see my shine next to yours."

"He he, a charmer, aren't you? You should have waited for my husband to come 'ere; he might have finally realized what a beauty he has."

"If he hasn't already, then the man must be blind."

"Ha ha ha," she laughed rather merrily and reminded me of something that I'd picked up on a long, long time ago: her teeth weren't perfect (if anything, there were barely any), but her smile absolutely was. It was honest, cheeks curving back as lines dented her face.

"Fine, fine, you can stop.

'ere you go. Feed those kids of yours."

"Ah, Madame, I'm hurt; I meant every word I said."

"... you're a nice lad," she smiled.

"But a bit of advice: niceness don't get you far in this place."

"Hm? How come?"

"It's a den of greed," she said.

"Where the worst of the world descends. You're a few days early for the festival, but you'll see it soon enough. Why do you think we only have the festival once a year?"

"Why?"

"Because we spend the remainder of it scraping human bits and pieces off our walls and streets. Ah, Madame Lan, good mornin'!" As she turned to my side and started talking with another woman, I glanced out and over the street surrounding me. I figured there's gonna be violence (I mean, where have I been in this world where that wasn't the case?), but is she exaggerating for effect or being completely serious? My gut feeling tells me... she's being serious.

I took the loaf of bread, thanked her once again, and started walking back. How come none of the people in my group ever take me somewhere nice? Like a nice beach where nobody gets killed because of some arbitrary reason? How come it's always slotting me into spaces ripe with death, violence, and pain? Aah, curse you, Lao Shun. Curse you, Long Tao. And curse you me, for always just going along...